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In Fluxus (2024), Alex Righetto explores the notion of transience through the depiction of a female figure caught between formation and dissolution. The subject emerges from a neutral background, shaped by gestural layers of paint. Warm tones—predominantly red and ochre—interrupt and reconstruct the body, suggesting a state of constant transformation. The work aligns with Righetto’s ongoing investigation into identity as an evolving condition.
Fluxus (2024) is part of the Perfectly Imperfect collection, in which Alex Righetto continues his investigation of form, identity, and transformation. The painting features the partial emergence of a female figure, constructed through gestural brushwork and layered color. Areas of the body are interrupted, blurred, or left unresolved, reflecting a condition of instability and flux. The palette—anchored in warm reds and ochres—adds both structure and erosion, allowing the form to appear momentary rather than fixed. As with other works in the collection, the focus shifts from representation to perception, embracing imperfection as a point of departure.
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